| anteliu@gmail.com [download pdf] |
| b. 1967, Taiwan |
| B.A., Fine Art History, Victoria College, University of Toronto, 1990 M. Arch., Southern California Institute of Architecture (SCI-Arc), Los Angeles, 1995 |
Solo Exhibitions |
| 2008 |
Matter, Künstlerhaus Bethanien, Berlin |
| |
Style and Epoch, MKG 127, Toronto |
| 2004 |
Ether, Mercer Union, Toronto Tackiness and Anti-Power, Artists Space, New York |
| 2001 |
Condition, Henry Urbach Architecture, New York |
| 2000 |
Pathology, Contemporary Art Gallery, Vancouver |
Group Exhibitions |
| 2008 |
Hier ist Amerika oder Nirgends, Galerie Ben Kaufmann and Art Berlin Contemporary, Berlin 11th Venice Biennale for Architecture, Venice 246 and Counting, San Francisco Museum of Modern Art Figuration in Contemporary Design, The Art Institute of Chicago |
| 2007 |
Pattern Theory, MKG 127, Toronto Modelle für Morgen: Köln, European Kunsthalle, Cologne, Germany Happy Birthday, MKG127, Toronto Paradox and Practice, UC Irvine Art Gallery, CA |
| 2006 |
Street, Witte de With Center for Contemporary Art, Rotterdam, Netherlands Sense of the City, Centre Canadien d'Architecture (CCA), Montréal |
| 2005 |
Therefore Beautiful, Ursula Blickle Stiftung, Kraichtal, Germany Re: Building The World, Edmonton Art Gallery |
| 2004 |
The Art of Design: Selections from the Permanent Collection, SFMOMA Ziploc, Macdonald Stewart Art Centre, Guelph A.C., Elizabeth Dee Gallery, New York Domestic Odyssey, San Jose Museum of Art |
| 2003 |
mosaiCanada: Sign and Sound, Seoul Museum of Art (SeMA), Korea Dead Malls, Urban Center Gallery, New York Rethinking Photography IV: New Reduction as Expansion, Fotohof, Salzburg, Austria Blister In The Sun, Gallery Neubacher, Toronto Bauhauswerk, weework, Toronto |
| 2002 |
New Modulr, Blackwood Gallery, Toronto and Art Gallery of Calgary Housebroken, Rena Bransten Gallery, San Francisco |
| 1999 |
Luster, Henry Urbach Architecture, New York |
Bibliography |
|
Gary Michael Dault, 'Pattern Theory', Border Crossings, Winter 2008. Joe Rosa, Figuration in Contemporary Design, The Art Institute of Chicago, 2008. Gary Michael Dault, 'Happy Birthday', The Globe and Mail, July 21, 2007. p. R12. Uta and Robert Winterhager, ‘Wie lässt sich Kunst an kunstfernen Orten präsentieren? Modelle für morgen in Köln’. Bauwelt 14, 2007. p. 2. Julie Carson ed., Paradox Practice: Architecture in the Wake of Conceptualism UC Irvine, 2007. Masha Panteleyeva, 'Emerging Voices', The Architect's Newspaper, March 7, 2007. pp. 21-26. ‘Street: behind the cliché’, Art Monthly. November 2006. pp. 29-30. Mirko Zardini ed., Sense of the City, CCA and Lars Müller, 2005, pp. 308-9. Vanessa Joan Müller, Therefore Beautiful, Ursula Blickle Stiftung, 2005. 'In neueum Kontext entsteht Schönheit,' Badische Neueste Nachrichten, Karlsruhe, 18 March 2005. 'Therefore Beautiful,' Springerin, Band XI, Heft 2, (summer 2005). ‘Migratory Studies of the North American Chinatown,’ Public #29: Localities, 2004. (artist's project) JoAnne Northrup, Domestic Odyssey, San Jose Museum of Art, 2004. mosaiCanada: Sign and Sound, Seoul Museum of Art, 2003. Jack Fischer, ‘Home is Where the Art Is,’ San Jose Mercury News, 28 March 2004. Charlotte Vaudrey, 'The Shape of the City', FRAME 35, (Nov/Dec 2003), pp. 126-127. Nikolai Janatsch, 'Dieses Foto ist kein Foto,' SVZ, 9 July, 2003. Glenn Williams, 'NEWMODULR', Art Papers, vol. 27, no. 1 (Jan/Feb 2003), pp. 54-55. Sarah Milroy, 'Thoroughly Modern Art,' The Globe and Mail, 25 September, 2002. Barbara Fischer, 'The New Modulr: 100% generic and 100% specific'. (exh. essay), Toronto: Blackwood Gallery, 2002. Heather MacKay, 'The Walls of Perception', Azure, (Sep/Oct 2002), p. 45. Glen Helfand, 'Housebroken', (exh. essay), San Francisco: Rena Bransten gallery, 2002. PRAXIS journal of writing and building, vol. 1, no. 3, 2002. pp. 2, 128-9. Pattern Language, YYZ Toronto (spring 2002). (artist's project) Rodolphe El-Khoury, 'Between Air and Space: Prologue to An Te Liu's Exchange', Thresholds 23: Deviant, Cambridge: MIT, 2002. pp. 16-23. Heather MacKay, 'Better Living Through Sterility', Azure, (Sep/Oct 2001), p. 61. Kika Thorne, 'An Te Liu', MIX independent art & culture, vol. 26 no. 2 (fall 2000): pp. 15, 19-21. Aaron Betsky, 'Safe Haven', Surface, no. 25 (fall 2000), pp. 154-156, 260. Michael Scott, 'Home Sterile Home', Vancouver Sun, 12 August, 2000, p. E13. Robin Laurence, 'View of Urbanization Is a Breath of Fresh Air', Georgia Straight, 10 Aug., 2000. p. 52. Eric Howeler, 'Surfaces of Pleasure: Luster,' Loudpaper, vol. 3, no. 2, 1999, pp. 40-45. |
Collections |
| San Francisco Museum of Modern Art, Art Institute of Chicago, private collections |
Creation and Research Grants |
| 2007 |
Artists Residency at Künstlerhaus Bethanien, Berlin, Canada Council for the Arts Ontario Arts Council, Visual Artist Grant |
| 2006 |
Toronto Arts Council, Grant to Visual Artist |
| 2005 |
Canada Council for the Arts, Visual Arts Creation Grant |
| 2004 |
Ontario Arts Council, Visual Artist Grant Ministry of Foreign Affairs of Taiwan, R.O.C., Exhibition Assistance Grant Toronto Arts Council, Grant to Visual Artist Canada Council for the Arts, Visual Arts Creation Grant |
| 2003 |
HGIS/ Netherlands Architectural Institute (NAi), Rotterdam, Grant Connaught Fund, Toronto, Research Grant Graham Foundation for Advanced Studies in the Fine Arts, Research Grant |
| 2006 |
Canada Council for the Arts, Travel Grant |
| 2001 |
DFAIT Canada, International Career Development Grant Ontario Arts Council, Visual Artist Grant Consulate General of Canada, New York, Exhibition Assistance Grant |
Lectures, Symposia, etc. |
| 2007 |
Whitney Museum of American Art, New York Architectural League of New York |
| 2006 |
B.A.S.E., Beijing |
| 2005 |
York University / Prefix Institute of Contemporary Art, Toronto California College of Art (CCA), San Francisco |
| 2004 |
Green College / UBC, Vancouver The Rivoli, Toronto |
| 2004 |
Yale University School of Architecture, New Haven |
| 2002 |
The Power Plant Contemporary Art Center, Toronto |
| 2000 |
Université de Paris I-Panthéon Sorbonne |
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